Le Pho, Vu Cao Dam and Paulette Le Pho at Findlay Gallery in Paris in 1973. Echoes of Tonkin: Vietnamese Modern Art | Selected Press Echoes of Tonkin: A Curator’s Perspective Echoes of Tonkin: Vietnamese Modern Art, Reconsidered
Le Pho (Vietnam/France, 1907-2001) Les Fleurs (Flowers) signed 'Le Pho' in English and signed in Chinese (lower right) oil on silk 46 x 27 cm. (18 1/8 x 10 5/8 in.) Price Realised HKD 150,000 at Christie's Hong Kong, 29 November 2015
Le Pho (Vietnam/France, 1907-2001) Untitled (Fleurs) signed in Chinese, and signed ‘Le pho’ (lower right) oil on canvas 46 x 33 cm. (18 1/8 x 13 in.) circa. 1970s Price Realised USD 30,000 at Christie's New York, 25 September 2019 Le Pho's works presented here can be dated to his Findlay period (the name of the ...
Wally Findlay Galleries quoted a dialogue between Le Pho (Vietnam/France, 1907-2001) and Mr Jean-François Hubert, Senior Expert, Vietnamese Art in 1995. Mr Jean-François Hubert: “Master, which is your preferred period?”. With no hesitation, Le Pho answered: “My Findlay.”
Alain Le Kim, Le Pho, Paulette Vaux, and Pierre Le-Tan (left to right), Paris, 1963. Echoes of Tonkin: Vietnamese Modern Art | Selected Press Echoes of Tonkin: A Curator’s Perspective Echoes of Tonkin: Vietnamese Modern Art, Reconsidered
Wally Findlay and Le Pho, 1963 Echoes of Tonkin: Vietnamese Modern Art | Selected Press Echoes of Tonkin: A Curator’s Perspective Echoes of Tonkin: Vietnamese Modern Art, Reconsidered
