{"id":10076,"date":"2026-03-27T05:16:51","date_gmt":"2026-03-27T05:16:51","guid":{"rendered":"https:\/\/thucdoan.com\/?p=10076"},"modified":"2026-03-27T07:38:39","modified_gmt":"2026-03-27T07:38:39","slug":"10076","status":"publish","type":"post","link":"https:\/\/thucdoan.com\/?p=10076","title":{"rendered":""},"content":{"rendered":"\n\n\tPresented in Singapore ahead of its auction in Hong Kong on 28 March 2026, <em data-start=\"185\" data-end=\"239\">Visions of Vietnam: The Melchior Dejouany Collection<\/em> reveals a rare and quietly profound vision of Vietnamese art, one shaped not by immediacy, but by time, patience, and an enduring sensitivity to cultural nuance.\nDrawn from a private collection formed over decades, the ensemble reflects a depth of engagement that extends beyond connoisseurship. It speaks of a lived proximity to Vietnam, to its shifting histories and its persistent inner rhythms. From the intellectual foundations of the \u00c9cole des Beaux-Arts de l&#8217;Indochine to the more introspective languages of later generations, the works trace an arc that is neither linear nor didactic, but organic, unfolding with the subtlety of memory itself.\nArtists such as L\u00ea Ph\u1ed5, Mai Trung Th\u1ee9, V\u0169 Cao \u0110\u00e0m, T\u00f4 Ng\u1ecdc V\u00e2n, B\u00f9i Xu\u00e2n Ph\u00e1i and L\u01b0\u01a1ng Xu\u00e2n Nh\u1ecb anchor the collection within the formative years of Vietnamese modernism, while figures including Nguy\u1ec5n Trung, H\u1ed3 H\u1eefu Th\u1ee7, Nguy\u1ec5n Kim \u0110\u1ed3ng, Nguy\u1ec5n Ti\u1ebfn Chung, Ho\u00e0ng T\u00edch Ch\u00f9 and B\u1ed9i Tr\u00e2n extend this narrative into more personal and contemplative territories. What emerges is not a succession of styles, but a continuity of sensibility.\nSeen together, the works illuminate the enduring dialogue between tradition and modernity that defines Vietnamese art, not as opposition, but as a space of quiet negotiation. Lacquer, silk and oil each carry their own temporal weight, their own resistance and fragility, yet converge here into a shared language marked by restraint, lyricism, and an almost meditative attention to the human presence.\nThe Dejouany Collection stands apart in its coherence. It is not an accumulation, but a composition. Each work appears chosen not only for its individual merit, but for its place within a larger, more elusive narrative, one that resists spectacle in favour of resonance.\nAs these works enter the market, their significance lies beyond acquisition. They embody a form of transmission, carrying forward fragments of a cultural memory that continues to evolve, yet remains deeply anchored. In this sense, the collection does not simply present Vietnamese art; it listens to it.\n<strong>Visions of Vietnam: The Melchior Dejouany Collection<\/strong><br \/>\nChristie&#8217;s, The Henderson, Hong Kong<br \/>\n28 March 2026\n\t\u0110\u01b0\u1ee3c gi\u1edbi thi\u1ec7u t\u1ea1i Singapore tr\u01b0\u1edbc phi\u00ean \u0111\u1ea5u gi\u00e1 t\u1ea1i Hong Kong ng\u00e0y 28 th\u00e1ng 3 n\u0103m 2026, <em data-start=\"2413\" data-end=\"2462\">T\u1ea7m Nh\u00ecn Vi\u1ec7t Nam: B\u1ed9 s\u01b0u t\u1eadp Melchior Dejouany<\/em> m\u1edf ra m\u1ed9t c\u00e1ch nh\u00ecn hi\u1ebfm hoi v\u00e0 l\u1eb7ng s\u00e2u v\u1ec1 m\u1ef9 thu\u1eadt Vi\u1ec7t Nam, m\u1ed9t c\u00e1ch nh\u00ecn \u0111\u01b0\u1ee3c h\u00ecnh th\u00e0nh kh\u00f4ng b\u1edfi t\u00ednh th\u1eddi \u0111i\u1ec3m, m\u00e0 b\u1edfi th\u1eddi gian, s\u1ef1 ki\u00ean nh\u1eabn v\u00e0 m\u1ed9t \u0111\u1ed9 nh\u1ea1y c\u1ea3m b\u1ec1n b\u1ec9 v\u1edbi nh\u1eefng tinh t\u1ebf v\u0103n ho\u00e1.\n\u0110\u01b0\u1ee3c tuy\u1ec3n ch\u1ecdn qua nhi\u1ec1u th\u1eadp k\u1ef7, b\u1ed9 s\u01b0u t\u1eadp n\u00e0y v\u01b0\u1ee3t kh\u1ecfi ph\u1ea1m vi c\u1ee7a s\u1ef1 tinh t\u01b0\u1eddng thu\u1ea7n tu\u00fd. N\u00f3 g\u1ee3i l\u00ean m\u1ed9t s\u1ef1 g\u1ea7n g\u0169i \u0111\u00e3 \u0111\u01b0\u1ee3c s\u1ed1ng, v\u1edbi Vi\u1ec7t Nam, v\u1edbi nh\u1eefng bi\u1ebfn chuy\u1ec3n l\u1ecbch s\u1eed v\u00e0 nh\u1eefng nh\u1ecbp \u0111i\u1ec7u n\u1ed9i t\u1ea1i kh\u00f4ng d\u1ec5 g\u1ecdi t\u00ean. T\u1eeb n\u1ec1n t\u1ea3ng h\u1ecdc thu\u1eadt c\u1ee7a Tr\u01b0\u1eddng M\u1ef9 thu\u1eadt \u0110\u00f4ng D\u01b0\u01a1ng \u0111\u1ebfn nh\u1eefng bi\u1ec3u \u0111\u1ea1t mang t\u00ednh n\u1ed9i t\u00e2m c\u1ee7a c\u00e1c th\u1ebf h\u1ec7 sau, c\u00e1c t\u00e1c ph\u1ea9m kh\u00f4ng t\u1ea1o th\u00e0nh m\u1ed9t \u0111\u01b0\u1eddng th\u1eb3ng ph\u00e1t tri\u1ec3n, m\u00e0 m\u1edf ra m\u1ed9t d\u00f2ng ch\u1ea3y t\u1ef1 nhi\u00ean, nh\u01b0 k\u00fd \u1ee9c d\u1ea7n hi\u1ec3n l\u1ed9.\nNh\u1eefng t\u00ean tu\u1ed5i nh\u01b0 L\u00ea Ph\u1ed5, Mai Trung Th\u1ee9, V\u0169 Cao \u0110\u00e0m, T\u00f4 Ng\u1ecdc V\u00e2n, B\u00f9i Xu\u00e2n Ph\u00e1i, L\u01b0\u01a1ng Xu\u00e2n Nh\u1ecb \u0111\u1eb7t n\u1ec1n cho giai \u0111o\u1ea1n h\u00ecnh th\u00e0nh c\u1ee7a m\u1ef9 thu\u1eadt hi\u1ec7n \u0111\u1ea1i Vi\u1ec7t Nam, trong khi c\u00e1c ngh\u1ec7 s\u0129 nh\u01b0 Nguy\u1ec5n Trung, H\u1ed3 H\u1eefu Th\u1ee7, Nguy\u1ec5n Kim \u0110\u1ed3ng, Nguy\u1ec5n Ti\u1ebfn Chung, Ho\u00e0ng T\u00edch Ch\u00f9 v\u00e0 B\u1ed9i Tr\u00e2n ti\u1ebfp t\u1ee5c m\u1edf r\u1ed9ng c\u00e2u chuy\u1ec7n \u1ea5y v\u00e0o nh\u1eefng chi\u1ec1u k\u00edch c\u00e1 nh\u00e2n v\u00e0 tr\u1ea7m l\u1eafng h\u01a1n. Hi\u1ec7n ra \u1edf \u0111\u00e2y kh\u00f4ng ph\u1ea3i l\u00e0 s\u1ef1 thay \u0111\u1ed5i phong c\u00e1ch, m\u00e0 l\u00e0 m\u1ed9t s\u1ef1 li\u00ean t\u1ee5c c\u1ee7a c\u1ea3m th\u1ee9c.\nKhi \u0111\u01b0\u1ee3c \u0111\u1eb7t c\u1ea1nh nhau, c\u00e1c t\u00e1c ph\u1ea9m l\u00e0m s\u00e1ng t\u1ecf cu\u1ed9c \u0111\u1ed1i tho\u1ea1i b\u1ec1n b\u1ec9 gi\u1eefa truy\u1ec1n th\u1ed1ng v\u00e0 hi\u1ec7n \u0111\u1ea1i, y\u1ebfu t\u1ed1 c\u1ed1t l\u00f5i c\u1ee7a m\u1ef9 thu\u1eadt Vi\u1ec7t Nam, kh\u00f4ng ph\u1ea3i nh\u01b0 hai c\u1ef1c \u0111\u1ed1i l\u1eadp, m\u00e0 nh\u01b0 m\u1ed9t kh\u00f4ng gian dung ho\u00e0 tinh t\u1ebf. S\u01a1n m\u00e0i, l\u1ee5a v\u00e0 s\u01a1n d\u1ea7u mang theo nh\u1eefng nh\u1ecbp th\u1eddi gian ri\u00eang, nh\u1eefng \u0111\u1ed9 b\u1ec1n v\u00e0 mong manh kh\u00e1c nhau, nh\u01b0ng c\u00f9ng h\u1ed9i t\u1ee5 trong m\u1ed9t ng\u00f4n ng\u1eef chung, n\u01a1i s\u1ef1 ti\u1ebft ch\u1ebf, t\u00ednh tr\u1eef t\u00ecnh v\u00e0 s\u1ef1 hi\u1ec7n di\u1ec7n con ng\u01b0\u1eddi tr\u1edf n\u00ean trung t\u00e2m.\nB\u1ed9 s\u01b0u t\u1eadp Dejouany v\u00ec th\u1ebf n\u1ed5i b\u1eadt kh\u00f4ng ph\u1ea3i b\u1edfi s\u1ed1 l\u01b0\u1ee3ng, m\u00e0 b\u1edfi s\u1ef1 m\u1ea1ch l\u1ea1c. \u0110\u00e2y kh\u00f4ng ph\u1ea3i l\u00e0 s\u1ef1 t\u00edch lu\u1ef9, m\u00e0 l\u00e0 m\u1ed9t s\u1ef1 ki\u1ebfn t\u1ea1o. M\u1ed7i t\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c l\u1ef1a ch\u1ecdn kh\u00f4ng ch\u1ec9 v\u00ec gi\u00e1 tr\u1ecb ri\u00eang, m\u00e0 v\u00ec v\u1ecb tr\u00ed c\u1ee7a n\u00f3 trong m\u1ed9t c\u00e2u chuy\u1ec7n l\u1edbn h\u01a1n, m\u1ed9t c\u00e2u chuy\u1ec7n kh\u00f4ng ph\u00f4 tr\u01b0\u01a1ng m\u00e0 \u00e2m th\u1ea7m ng\u00e2n vang.\nKhi nh\u1eefng t\u00e1c ph\u1ea9m n\u00e0y b\u01b0\u1edbc v\u00e0o th\u1ecb tr\u01b0\u1eddng, \u00fd ngh\u0129a c\u1ee7a ch\u00fang v\u01b0\u1ee3t ra ngo\u00e0i vi\u1ec7c s\u1edf h\u1eefu. Ch\u00fang mang theo nh\u1eefng m\u1ea3nh k\u00fd \u1ee9c v\u0103n h\u00f3a \u0111ang ti\u1ebfp t\u1ee5c chuy\u1ec3n \u0111\u1ed9ng nh\u01b0ng v\u1eabn neo gi\u1eef s\u00e2u s\u1eafc. \u1ede m\u1ed9t ngh\u0129a n\u00e0o \u0111\u00f3, b\u1ed9 s\u01b0u t\u1eadp n\u00e0y kh\u00f4ng ch\u1ec9 gi\u1edbi thi\u1ec7u m\u1ef9 thu\u1eadt Vi\u1ec7t Nam, m\u00e0 c\u00f2n l\u1eafng nghe n\u00f3.\n<strong>T\u1ea7m Nh\u00ecn Vi\u1ec7t Nam: B\u1ed9 s\u01b0u t\u1eadp Melchior Dejouany<\/strong><br \/>\n<strong>Christie&#8217;s, The Henderson, H\u1ed3ng K\u00f4ng<\/strong><br \/>\n<strong>28 Th\u00e1ng 3, 2026<\/strong>\n\n","protected":false},"excerpt":{"rendered":"<p>Presented in Singapore ahead of its auction in Hong Kong on 28 March 2026, Visions of Vietnam: The Melchior Dejouany Collection reveals a rare and quietly profound vision of Vietnamese art, one shaped not by immediacy, but by time, patience, and an enduring sensitivity to cultural nuance. Drawn from a private collection formed over decades, &#8230;<\/p>\n","protected":false},"author":1,"featured_media":10081,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,14,18,374,13,379],"tags":[94,27,49,19,20,754,22,833,336,34,759,760,45,832,21],"class_list":["post-10076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-dignitaries-collectors-collections","category-documentaries","category-exhibitions-events","category-fine-art","category-southeast-asian-art","tag-boi-tran","tag-christies","tag-hoang-tich-chu","tag-le-pho","tag-mai-trung-thu","tag-melchior-dejouany","tag-nguyen-gia-tri","tag-nguyen-kim-dong","tag-nguyen-tien-chung","tag-nguyen-trung","tag-the-melchior-dejouany-collection","tag-the-melchior-dejouany-collection-the-phoenix-glue-and-the-broken-silk-thread","tag-to-ngoc-van","tag-visions-of-vietnam-the-melchior-dejouany-collection","tag-vu-cao-dam"],"_links":{"self":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/10076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10076"}],"version-history":[{"count":5,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/10076\/revisions"}],"predecessor-version":[{"id":10109,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/10076\/revisions\/10109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/media\/10081"}],"wp:attachment":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}