{"id":1581,"date":"2022-11-22T07:59:24","date_gmt":"2022-11-22T07:59:24","guid":{"rendered":"https:\/\/thucdoan.com\/?p=1581"},"modified":"2023-07-23T07:23:47","modified_gmt":"2023-07-23T07:23:47","slug":"1581","status":"publish","type":"post","link":"https:\/\/thucdoan.com\/?p=1581","title":{"rendered":""},"content":{"rendered":"\n\n\t\t\t\t\"\"\n\tVictor Tardieu (French, 1870-1937)
\nPortrait de femme \u00e0 l’\u00e9ventail
\nsanguine and chalk on cardboard
\nsigned and dated ‘Victor Tardieu Saigon 1922’ (middle right)
\n48,5 x 65 cm. (19 1\/16 x 25 9\/16 in.)
\npainted in 1922\n

La M\u00e9tropole: la science dispense au peuple d’Annam ses bienfaits<\/a>, Portrait de femme \u00e0 l’\u00e9ventail<\/a>, Maternities<\/a>,\u00a0La Vaccination<\/a>, La Tonkinoise<\/a>, and La Vietnamienne \u00e0 l’Enfant<\/a> are Victor Tardieu’s subjects defined for the major fresco 160m2 to compose an ode on progress.<\/p>\n

Some commentators – superficial – found in this work what they will call a “colonial” message. However, it is easy to distinguish on the eminently Vietnamese Cong Tam Quan portal, on two columns, the following sentences written in Chinese: “The elites are the essence of the country. The university is the foundation of education.”<\/p>\n

Further, at the bottom of the work, a Latin sentence is inscribed: “Alma mater, ex te nobis, dignitas, libertas, Felicitas” (supreme mother, it is from you that we receive dignity, liberty and happiness). From this immense composition, an ode to education and progress, the image of love, femininity and Vietnamese among other themes only shows Tardieu’s love for Vietnam.<\/p>\n\n","protected":false},"excerpt":{"rendered":"

Victor Tardieu (French, 1870-1937) Portrait de femme \u00e0 l’\u00e9ventail sanguine and chalk on cardboard signed and dated ‘Victor Tardieu Saigon 1922’ (middle right) 48,5 x 65 cm. (19 1\/16 x 25 9\/16 in.) painted in 1922 La M\u00e9tropole: la science dispense au peuple d’Annam ses bienfaits, Portrait de femme \u00e0 l’\u00e9ventail, Maternities,\u00a0La Vaccination, La Tonkinoise, …<\/p>\n","protected":false},"author":1,"featured_media":1582,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,13,379],"tags":[38,37,80,54,24],"class_list":["post-1581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-fine-art","category-southeast-asian-art","tag-ebai","tag-the-ecole-des-beaux-arts-de-lindochine","tag-the-fresco-of-the-amphitheatre-of-hanoi-university","tag-the-school-of-fine-arts-of-indochina","tag-victor-tardieu"],"_links":{"self":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/1581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1581"}],"version-history":[{"count":5,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/1581\/revisions"}],"predecessor-version":[{"id":1599,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/1581\/revisions\/1599"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/media\/1582"}],"wp:attachment":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}