{"id":2310,"date":"2022-12-18T01:57:05","date_gmt":"2022-12-18T01:57:05","guid":{"rendered":"https:\/\/thucdoan.com\/?p=2310"},"modified":"2023-09-02T16:01:04","modified_gmt":"2023-09-02T16:01:04","slug":"2310","status":"publish","type":"post","link":"https:\/\/thucdoan.com\/?p=2310","title":{"rendered":""},"content":{"rendered":"\n\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/thucdoan.com\/wp-content\/uploads\/2022\/12\/IMG_6297-1371x2048.jpg\" alt=\"Portrait of Maurice Denis (French, 1870 - 1943), painter\" itemprop=\"image\" height=\"1046\" width=\"700\" onerror=\"this.style.display='none'\"  \/>\n\t<p>Maurice Denis (France, 1870-1943) studied at the Ecole des Beaux-Arts and the Acad\u00e9mie Julian, and through fellow student, Paul S\u00e9rusier learned of the innovative stylistic movement developed by Paul Gauguin and Emile Bernard in Pont-Aven in the summer of 1888. With S\u00e9rusier and a number of like-minded contemporaries at the Acad\u00e9mie Julian such as Pierre Bonnard, Edouard Vuillard and others, Denis found himself fundamentally opposed to the naturalism recommended by his academic teachers. They formed the Nabis, a secret artistic brotherhood dedicated to a form of pictorial Symbolism based loosely on the synthetic innovations of Gauguin and Bernard. Their bold experiments in flat paint application and anti-naturalistic colour prefigured later abstract initiatives. A gifted writer, Denis&#8217;s first article, &#8220;D\u00e9finition du n\u00e9o-traditionalism,&#8221; published in <i>Art et critique<\/i> in 1890, served almost as a group manifesto, and his tireless proselytizing was crucial to the development of the Nabis&#8217; early patronage.<\/p>\n<p>Denis&#8217;s experiments with small-scale, synthetic work soon gave way to more traditional working methods. He had never denied the importance of the subject matter, and in his later painting devoted himself to the revival of religious imagery. He undertook immense preparation for the more complex decorative projects he commenced from <i>circa<\/i> 1900 onwards, cultivating the dry, matte surface of fresco and favouring a muted palette of pastel blues, pinks, greys and mauves. A visit to Rome in 1898 had stirred his interest in classicism, and initiated a shift away from the more spectacular, subjective Symbolism of Gauguin and Van Gogh towards what he saw as the reassertion of the classical values of Paul C\u00e9zanne. In articles, Denis disseminated the view that classicism was the essence of the French cultural tradition, a view that had considerable influence on a younger generation of artists in France and elsewhere.<\/p>\n<p>In the wake of his first important private decorative commission in 1897 for the Paris h\u00f4tel of Baron Denys Cochin, Denis was occupied by a succession of decorative projects for religious and secular settings, notable among them the enormous decorative scheme on the theme of the Histoire de la Musique for the Th\u00e9\u00e2tre des Champs-Elys\u00e9es (1912-1913) and the Histoire de l&#8217;Art Fran\u00e7ais for the cupola of the Petit Palais (1924-1925).<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Maurice Denis (France, 1870-1943) studied at the Ecole des Beaux-Arts and the Acad\u00e9mie Julian, and through fellow student, Paul S\u00e9rusier learned of the innovative stylistic movement developed by Paul Gauguin and Emile Bernard in Pont-Aven in the summer of 1888. With S\u00e9rusier and a number of like-minded contemporaries at the Acad\u00e9mie Julian such as Pierre &#8230;<\/p>\n","protected":false},"author":1,"featured_media":2309,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,16],"tags":[128],"class_list":["post-2310","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-artists","tag-maurice-denis"],"_links":{"self":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/2310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2310"}],"version-history":[{"count":3,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/2310\/revisions"}],"predecessor-version":[{"id":5760,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/2310\/revisions\/5760"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/media\/2309"}],"wp:attachment":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}