{"id":3212,"date":"2019-05-26T17:01:15","date_gmt":"2019-05-26T17:01:15","guid":{"rendered":"https:\/\/thucdoan.com\/?p=3212"},"modified":"2023-09-04T18:50:21","modified_gmt":"2023-09-04T18:50:21","slug":"3212","status":"publish","type":"post","link":"https:\/\/thucdoan.com\/?p=3212","title":{"rendered":""},"content":{"rendered":"\n\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/thucdoan.com\/wp-content\/uploads\/2023\/05\/IMG_0551-scaled.jpg\" alt=\"\" itemprop=\"image\" height=\"2560\" width=\"1264\" onerror=\"this.style.display='none'\"  \/>\n\tVu Cao Dam (1908-2000)<br \/>\n<a href=\"https:\/\/www.christies.com\/lot\/lot-6209628\">Le Mandarin (The Mandarin)<\/a><br \/>\nsigned in Chinese and signed &#8216;vu cao dam&#8217; (lower right)<br \/>\nink and gouache on silk<br \/>\n145.5 x 71 cm. (57 1\/8 x 28 in.)<br \/>\nPainted in 1942<br \/>\none seal of the artist\nProvenance<br \/>\nAnon. sale, Sotheby&#8217;s Singapore, 4 April 2004 Lot 55<br \/>\nAcquired from the above sale by the present owner<br \/>\n<a href=\"https:\/\/thucdoan.com\/?p=1737\">Collection of Mr Tuan H Pham, California, USA<\/a><br \/>\n<a href=\"https:\/\/thucdoan.com\/?p=1149\">Christie&#8217;s Hong Kong, 24 May 2019<\/a>\n\t&#8220;The honours in a career only bring torments and humiliations<br \/>\nIn a simple life removed of all one can find freedom.&#8221;<br \/>\nNguyen Trai (1380-1442)<br \/>\nPoint of View\nUpon seeing The Mandarin, Mrs Yannick Vu-Jakober, daughter of the artist Vu Cao Dam, wrote in a letter addressed to me in 2004:<br \/>\n&#8220;Ce portrait de mandarin a \u00e9t\u00e9 peint vers 1945-46. Il ne repr\u00e9sente pas n\u00e9cessairement son [Vu Cao Dam] p\u00e8re mais comme tout ce qu&#8217;il peignait il a surement \u00e9t\u00e9 inspir\u00e9 par des souvenirs. Ma m\u00e8re est heureuse que vous ayez retrouv\u00e9 les traces de ce merveilleux portrait.&#8221;\n<p>(This portrait of a mandarin was painted circa 1945-46. It does not necessarily depict [Vu Cao Dam&#8217;s] father, but as with all the paintings he did, he was surely inspired by memories. My mother is happy you sourced this marvellous portrait.)<\/p>\n<p>In another letter she addressed to me in 2018, she suggested a different date for the execution of this portrait: 1942. This anecdote demonstrates the continuous quest for knowledge required in Vietnamese art &#8211; as well as art in general &#8211; and its actualisation.<\/p>\n<p>It is not insignificant that during the occupation of France (1940-45) where the artist had already migrated there 11 years ago, that he created a large portrait of this dignified civil mandarin &#8211; from the highest rank, as indicated by the crane set on his garment &#8211; and that it is the largest silk listed in Vu Cao Dam&#8217;s entire oeuvre of works. The artist illustrates this mandarin with some austerity, and in a very Chinese style. In these times of difficultly, Vu Cao Dam seems to &#8216;reactivate&#8217; the Chinese influence and questions his real identity. In all beings, the quest for immortality can be accompanied by very base anxieties.<\/p>\n<p>Vu Cao Dam was the son of the scholar Vu Dinh Thi, founder of the Hanoi School of Interpreters. The face of the man in the portrait resembles that of a bronze work that was cast by the artist circa 1927, entitled Buste de mon p\u00e8re (&#8216;Bust of My Father&#8217;), which was exhibited at La fleur du p\u00eacher et l&#8217;oiseau d&#8217;azur (Musee Royal de Mariemont, 2002 and illustrated; catalogue p164).<\/p>\nJean-Fran\u00e7ois Hubert<br \/>\nSenior Expert, Vietnamese Art\n\n","protected":false},"excerpt":{"rendered":"<p>Vu Cao Dam (1908-2000) Le Mandarin (The Mandarin) signed in Chinese and signed &#8216;vu cao dam&#8217; (lower right) ink and gouache on silk 145.5 x 71 cm. (57 1\/8 x 28 in.) Painted in 1942 one seal of the artist Provenance Anon. sale, Sotheby&#8217;s Singapore, 4 April 2004 Lot 55 Acquired from the above sale &#8230;<\/p>\n","protected":false},"author":1,"featured_media":3205,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,13,379],"tags":[27,38,28,37,54,79,21],"class_list":["post-3212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-fine-art","category-southeast-asian-art","tag-christies","tag-ebai","tag-jean-francois-hubert","tag-the-ecole-des-beaux-arts-de-lindochine","tag-the-school-of-fine-arts-of-indochina","tag-the-tuan-pham-collection","tag-vu-cao-dam"],"_links":{"self":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/3212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3212"}],"version-history":[{"count":3,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/3212\/revisions"}],"predecessor-version":[{"id":6093,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/posts\/3212\/revisions\/6093"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=\/wp\/v2\/media\/3205"}],"wp:attachment":[{"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thucdoan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}