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\n\tNguyen Gia Tri: The Desire to Create Another World<\/strong><\/p>\n Nguyen Gia Tri, uses his brush in thick and deliberate colours – working with a more restrained palette than his master Inguimberty. A The allegorical portrayal of the three regions of Vietnam – Tonkin, proud and poised, Annam, austere but attentive, and Cochinchina, immature and unpredictable<\/strong>, are symbolized but also allusively characterized and magnified.<\/p>\n From left to right, the highly committed Tonkinese nationalist militant campaigns courageously and passionately for the reunification of the three and the independence of the whole.<\/p>\n A different world to create.<\/strong><\/p>\n His work depicts a sense of hope, as the figure of a Tonkinese nationalist stands resolute in the foreground, advocating for reunification and independence. The setting, framed by a piece of furniture more of a plinth than a support, serving as a symbolic pedestal, focuses the viewer’s attention on the trio of regions, with a distant, almost ethereal horizon signalling a future filled with potential.<\/p>\n\tNguy\u1ec5n Gia Tr\u00ed: Kh\u00e1t V\u1ecdng Ki\u1ebfn T\u1ea1o M\u1ed9t Th\u1ebf Gi\u1edbi M\u1edbi<\/strong>\nNguy\u1ec5n Gia Tr\u00ed, v\u1edbi b\u1ea3ng m\u00e0u ti\u1ebft ch\u1ebf h\u01a1n so v\u1edbi b\u1eadc th\u1ea7y Inguimberty, s\u1eed d\u1ee5ng nh\u1eefng gam m\u00e0u d\u00e0y v\u00e0 \u0111\u1ea7y ch\u1ee7 \u00fd. Trong tranh c\u1ee7a \u00f4ng, h\u00ecnh t\u01b0\u1ee3ng ba mi\u1ec1n Vi\u1ec7t Nam-B\u1eafc K\u1ef3<\/strong> (ki\u00eau h\u00e3nh, \u0111i\u1ec1m \u0111\u1ea1m), Trung K\u1ef3<\/strong> (kh\u1eafc kh\u1ed5 nh\u01b0ng s\u00e2u s\u1eafc), v\u00e0 Nam K\u1ef3<\/strong> (tr\u1ebb trung, kh\u00f3 \u0111o\u00e1n)-kh\u00f4ng ch\u1ec9 \u0111\u01b0\u1ee3c bi\u1ec3u t\u01b0\u1ee3ng h\u00f3a m\u00e0 c\u00f2n \u0111\u01b0\u1ee3c kh\u1eafc h\u1ecda m\u1ed9t c\u00e1ch \u0111\u1ea7y g\u1ee3i m\u1edf v\u00e0 t\u00f4n vinh.\nT\u1eeb tr\u00e1i sang ph\u1ea3i, h\u00ecnh \u1ea3nh ng\u01b0\u1eddi chi\u1ebfn s\u0129 y\u00eau n\u01b0\u1edbc mi\u1ec1n B\u1eafc hi\u1ec7n l\u00ean m\u1ea1nh m\u1ebd, qu\u1ea3 c\u1ea3m \u0111\u1ea5u tranh cho s\u1ef1 th\u1ed1ng nh\u1ea5t c\u1ee7a ba mi\u1ec1n v\u00e0 n\u1ec1n \u0111\u1ed9c l\u1eadp d\u00e2n t\u1ed9c.\nM\u1ed9t th\u1ebf gi\u1edbi kh\u00e1c \u0111ang \u0111\u01b0\u1ee3c ki\u1ebfn t\u1ea1o.<\/strong>\nT\u00e1c ph\u1ea9m c\u1ee7a Nguy\u1ec5n Gia Tr\u00ed m\u1edf ra m\u1ed9t ni\u1ec1m hy v\u1ecdng nh\u01b0 h\u00ecnh t\u01b0\u1ee3ng ng\u01b0\u1eddi chi\u1ebfn s\u0129 B\u1eafc K\u1ef3 \u0111\u1ee9ng v\u1eefng n\u01a1i ti\u1ec1n c\u1ea3nh, ki\u00ean \u0111\u1ecbnh v\u1edbi l\u00fd t\u01b0\u1edfng th\u1ed1ng nh\u1ea5t v\u00e0 \u0111\u1ed9c l\u1eadp. Khung c\u1ea3nh xung quanh, v\u1edbi m\u1ed9t m\u00f3n \u0111\u1ed3 n\u1ed9i th\u1ea5t v\u1eeba l\u00e0 b\u1ec7 \u0111\u1ee1 v\u1eeba l\u00e0 b\u1ec7 ph\u00f3ng t\u01b0\u1ee3ng tr\u01b0ng, h\u01b0\u1edbng \u00e1nh nh\u00ecn c\u1ee7a ng\u01b0\u1eddi xem v\u00e0o h\u00ecnh t\u01b0\u1ee3ng ba mi\u1ec1n, trong khi \u0111\u01b0\u1eddng ch\u00e2n tr\u1eddi xa x\u0103m, m\u1edd \u1ea3o nh\u01b0 b\u00e1o hi\u1ec7u m\u1ed9t t\u01b0\u01a1ng lai r\u1ed9ng m\u1edf, tr\u00e0n \u0111\u1ea7y ti\u1ec1m n\u0103ng.\n\tNguyen Gia Tri (Vietnam, 1908-1993) The work is accompanied by a handwritten letter of authenticity certified by Le Pho<\/a> on the date of 10 July 2000.<\/p>\nExhibited<\/strong>
\nLe trois femmes (Three Ladies)
\nsigned and dated ‘Ng TRI 34’ (upper right); signed ‘TRI’ (on the reverse); inscribed ‘Je soussigne\u0301, Jean Volang, artiste-peintre, 167, rue de Vaugirard 75015 Paris certifie que ce tableau est bien de la main de mon ami Nguyen Gia Tri. Paris, le 21 juin 2000, Jean Volang’ (on the stretcher)
\noil on canvas
\n116.5 x 89.5 cm. (45 7\/8 x 35 1\/4 in.)
\nPainted in 1934\nProvenance
\n<\/strong>Gift from the artist to Le Pho
\nPrivate collection, France (acquired from the above)
\nAcquired from the above by the present owner\n
\nHanoi, Socie\u0301te\u0301 Annamite d’Encouragement a\u0300 l’Art et a\u0300 l’Industrie (SADEAI)<\/a>, 1935
\nMariemont, Muse\u0301e Royal de Mariemont, Arts Du Vietnam: La Fleur du pe\u0302cher et l’Oiseau d’azur<\/a>, April-August 2002
\nHong Kong, LGDR & Wei, Scenes Of This World: Modern Paintings From Singapore and Vietnam<\/a>, January-March 2023\nIllustrated<\/strong>
\nLa Fleur du P\u00eacher et l’Oiseau d’Azur, Arts du Vietnam, 2002, Jean-Fran\u00e7ois Hubert and Catherine Noppe\nEstimate
\n<\/strong>HKD 4,000,000 – HKD 6,000,000\nPrice Realised<\/strong>
\nHKD 16,105,000\nChristie’s, The Henderson, Hong Kong
\nA Quest for Eternity: The Philippe Damas Collection<\/a>
\nLive Auction | 29 March 2025\n\t