Archive, Fine Art, Southeast Asian Art
Victor Tardieu (1870-1937), study for the fresco for the University of Hanoi’s lecture theatre called "La Métropole : la science dispense au peuple d’Annam ses bienfaits", 1924-1925, oil on canvas with traces of a grid, 100 x 120 cm.
World record for a work by the artist.
Result: €355,600

Victor Tardieu (French, 1870-1937)
La Métropole: la science dispense au peuple d’Annam ses bienfaits
oil on canvas with traces of a grid
100 x 120 cm. (39 3/8 x 47 1/4 in.)
painted circa 1924-1925

La Métropole: la science dispense au peuple d’Annam ses bienfaits, Portrait de femme à l'éventail, MaternitiesLa Vaccination, La Tonkinoise, and La Vietnamienne à l'Enfant are Victor Tardieu's subjects defined for the major fresco 160m2 to compose an ode on progress.

Some commentators – superficial – found in this work what they will call a "colonial" message. However, it is easy to distinguish on the eminently Vietnamese Cong Tam Quan portal, on two columns, the following sentences written in Chinese: "The elites are the essence of the country. The university is the foundation of education."

Further, at the bottom of the work, a Latin sentence is inscribed: "Alma mater, ex te nobis, dignitas, libertas, Felicitas" (supreme mother, it is from you that we receive dignity, liberty and happiness). From this immense composition, an ode to education and progress, the image of love, femininity and Vietnamese among other themes only shows Tardieu’s love for Vietnam.